Editor's note: This is the East is technology "Flash animation design" exciting chapter excerpts. Authorized by the copyright holder, issued by the site. Including "Flash cartoon story board", "How a shooting", "Flash cartoon character design", "Flash cartoon scene rendering", "Flash Animation", "" Didi "examples make [1] [2] [3] "and so on, we'll be posting the tutorial.
"Didi" is based on the previous chapters of the script and screen design, drawing and other knowledge, produced a Flash animated short. This chapter will sum up all of the creative knowledge and experience, as the reader how to apply this knowledge specifically in the Flash animation production.
7.2 Screen Color
Animation line draft is complete, and background images can be put together, the various scenarios in the Flash configuration. According to various lens configured screen composition, coloring these images.
First of all, the role must be color. According to the comparison with the well-being, first give the clothes to fill characters such as warm red and orange, to give the main character's skin, fill in the pink of the flesh, and finally fill in deep blue for the hair.
More use of warm colors make the characters feel warm, a little colder with the blue hair the color of the whole model seems balanced, rich.
For the protagonist of color with bright contrast, the negative role of the large, cool colors can be used. As the orange, red and blue can form a very coordinated, smart contrast, the negative role for most of the surface shape - clothing and hats fill in the blue. Negative role of skin color, you can set to look very unhealthy yellowish green.
Color contrast of different roles as shown in Figure 7-2-1.
Figure 7-2-1 role of color comparison chart
The first shot in the city night scene can be several different blue to describe the distance a number of buildings with dark blue, light a number of nearby buildings with the blue, shades of color to distinguish the background level. Screen positive with the central building of the deepest dark blue, and side with the fluorescence properties of green, looked strong and smart, so the audience is immediately clear that building the main body of the lens. Windows of the building with a very bright warm colors - yellow, the same, and other cool colors on the screen in sharp contrast the primary and secondary, as shown in Figure 7-2-2.
Figure 7-2-2 Lens 1
The second shot, with the lighter blues fill the main part of the screen, fill in the rest of dark blues, light and dark blue tone to distinguish the two primary and secondary areas of the screen. As a character with a fluorescent purple and appear more dull color, are used in the figure silhouettes and other windows, shows a feeling of choking another person, suggesting that the heavy atmosphere, as shown in Figure 7-2-3.
Figure 7-2-3 Lens 2
The third lens, a circular projection background will delineate the role of sight in the center of the audience. Ring external use dark background blue tone, indicating that this is a secondary area; internal use of a lighter purple, purple is still suggesting the atmosphere of Zhizhong and boring. Phone use warmer colors - brown, cool colors for the screen to be a coordinated, as shown in Figure 7-2-4.
Figure 7-2-4 Lens 3
The role of the fourth color of the lens and the third shot the same meaning, as shown in Figure 7-2-5.
Figure 7-2-5 Lens 4
The fifth lens with different shades of blues are still separate the primary and secondary areas, yellow glass windows are full of radiation appears to have shaped the dynamic, as shown in Figure 7-2-6.
Figure 7-2-6 Lens 5
Sixth the depth of the lens is divided into primary and secondary screen area blues, purple to make the picture look tense, solemn, as shown in Figure 7-2-7.
Figure 7-2-7 lens 6
The role of the seventh lens and the fifth lens color is similar to dark blue silhouette figures show the feeling of cold and mysterious, as shown in Figure 7-2-8.
Figure 7-2-8 lens 7
Eighth lens in several shades of blue tone picture secondary areas constitute. Role of yellow-green skin and the formation of these primary and secondary blue tone contrast, as shown in Figure 7-2-9.
Figure 7-2-9 lens 8
Ninth shot, dark blue silhouette into the role of specific warm tone image, so that the state of the screen to produce a warm sense of radiation, as shown in Figure 7-2-10.
Figure 7-2-10 lens 9
Tenth lens in warm regions more increase in the past several shots to cool the warm color tone gradually increased to the present, showing that the sense of force by the contraction of the screen gradually changes into radiation, in Figure 7-2 - 11 shows.
Figure 7-2-11 Lens 10
Tenth of a lens, the blue screen of cold adjustment based again present the public, and a lens in contrast to the warm tone, suggesting that the nature of the differences between the two roles, as shown in Figure 7-2-12.
Figure 7-2-12 Lens 11
Twelfth lens, yellow and red sparks gun, orange-based Didi shape, these types of warm color as the main screen, the resulting changes in the movement to make sense of the power of the screen is full of jumps, in Figure 7-2 - 13 shows.
Figure 7-2-13 Lens 12
Thirteenth shot, the purple background to make lateral moves even more slowly and stagnation, as shown in Figure 7-2-14.
Figure 7-2-14 Lens 13
Fourteenth lens in a camera's slow and stagnant strong sense of dynamic contrast of the lens and the sense of speed. Warm tone with a bright red changing to warm tone with the role of shape-based action, showing great strength of radiation, as shown in Figure 7-2-15.
Figure 7-2-15 Lens 14
Fifteenth shot, R & B scene to a shot of the action force on the sense of suddenly dissipated, proclaimed a shot in the kicking action of the end, as shown in Figure 7-2-16.
Figure 7-2-16 Lens 15
16th one shot, at the top of the purple obvious sense of stagnation and oppression of the lower intensity of various colors so that the whole picture show a kind of invisible pressure, as shown in Figure 7-2-17.
Figure 7-2-17 Lens 16
Seventeenth color camera lens with the same meaning as the eighth, as shown in Figure 7-2-18.
Figure 7-2-18 Lens 17
Eighteenth lens, the background is divided into two blues, dark blues above ratio appears to be more than the bright blues sense of weight, suggesting a role at that time with the oppressive, shown in Figure 7-2-19 shown.
Figure 7-2-19 Lens 18
19th a lens color and the meaning of the eighth lens similar, as shown in Figure 7-2-20.
Figure 7-2-20 Lens 19
The second lens 10, a force with a sense of stagnation in the dark gray circular background of a scene for the next outbreak of the power to do the groundwork, as shown in Figure 7-2-21.
Figure 7-2-21 Lens 20
Twenty-one shot with a strong white flash screen as the focus of the lens with a lens of black and gray background contrast, show a dramatic state of the power of radiation, as shown in Figure 7-2-22.
Figure 7-2-22 Lens 21
The role of the twenty-two lens colors and fifth lens broadly similar. Yellow piece of glass with radioactive power, the role of closer in the night sky, silhouette shades of color, compared with the role of the final blend with the night sky and created the conditions, as shown in Figure 7-2-23.
Figure 7-2-23 Lens 22
Twenty-three shots with a calm blues form with the lateral stability of the background screen, showing the smooth end of the event. A pot of green trees and a thread of life for the atmosphere. And the last by a variety of brighter colors of the electronic record player is shown warming the atmosphere, as shown in Figure 7-2-24.
Figure 7-2-24 Lens 23
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